Of Mice and Men and The Great Gatsby Analysis

John Steinbecks, Of Mice and Men, and F. Scott Fitzgeralds, The colossal Gatsby, sh are a theme of dehumanisation. dehumanisation is portrayed through two opposite social grades, the wealthy and the elaborate categorise, and the ways in which women are treated by men.Of Mice and Men is a novel abtaboo George and Lennie, two migrant farmers, who score been hired to work at a farm subsequently being chased out of their last job. The Great Gatsby is concerned with its protagonist, Jay Gatsby, and his devotion to rising into the upper class to impress Daisy Buchanan who left him because he was poor.In the windup, characters from both novels are either dehumanize due to their class or because of their gender. Throughout Of Mice and Men, the wealthy upper class dehumanizes the move working class by manipulating and taking advantage of them.Curleys married woman lives a life in luxury on the farm with no work and plenty of free time. She wanders around the farm claiming that she is interpreting for her husband, stock-still in reality she is exerting her power over the workers. When Crooks, one of the workers, talks sticker to Curleys wife, she threatens, I could get you strung up on a direct so easy it aint tear down funny (Steinbeck 79).Steinbeck emphasizes that she could not only name him falsely condemned, but doing so would be no trouble at all. Crooks then, reduces himself to nothing and replies, Yes, maam with a toneless voice because he knows that it is true. Steinbecks choice of words further advocates the theme of dehumanisation, particularly when he describes Crooks voice as toneless.Crooks monotonous response indicates that he has accepted his role as trifling and unexpressed. Instead of then walking away, Curleys wife continues to take advantage of his crusheder rank by waiting for him to move so that she could whip at him once again.This short exchange demonstrates how the rich gain satisfaction from abusing the serviceless. Ear lier in the story, George, Lennie, and Candy, an new(prenominal) planter, decide to pool their savings together in clubhouse to purchase a farm and be their own bosses. At the end of their conversation, George wisely adds, Dont tell nobody about it, Jus us three an nobody else.They lible to open fire us so we cant make no stake (60), George understands that if their current boss observe the plan they composed, he would take advantage of the high dependence they have on their adjacent pay checks and fire them.The wealthy class ordain do whatever it takes to pr up to nowt the impoverished from becoming prosperous. On the other hand, in Of Mice of Men, Curleys wife can in addition be the dupe of dehumanization rather than the oppressor. She is often portrayed as a metaphor for problems in the story because she is a woman.Steinbeck expresses this by purposely not giving her a name. Her only identifier is her marriage to Curley, whom she rarely talks to. That identifier is a large spring for why George loathes her. When George and Lennie first meet Curleys wife, George refers to her as poison, a switch of jail bait, and a rattrap (32).He utilizes words that compare her to inanimate objects of contempt that give the sense that she is not a lady or even an actual person, but again a metaphor for problems. In addition, George commands Lennie to let Curley take the rap rather than ordering Lennie not to go after Curleys wife.George uses the word let because no one looks for trouble with Curleys wife, but both(prenominal) one has to tolerate her and that unfortunate soul, in Georges eyes, should be Curley. Then when Lennie apropos kills her, the main concern is not her, but how to keep Lennie from getting in trouble.Anything that is tied to Curleys wife can only mean danger. Similarly, The Great Gatsby contains eight-fold examples of the wealthy dehumanizing the poor. When Nick, the narrator, and Tom Buchanan, Daisys husband, visit the valley of ashes to see Toms mistress, myrtle, they also represent Myrtles husband, George Wilson, a poor car mechanic.George inquires when Tom will be merchandising him a car with a tone of desperation in his voice. Tom, signal detection this desperation, threatens to sell it almostwhere else after all (Fitzgerald 25). George quickly tries to take it seat but his voice fades slay with submission.Fitzgerald effectively chooses the words faded off to characterize Georges reply because like Crooks in Of Mice and Men, it supports the notion that some of the lower class workers recognize that arguing back with the upper class is useless.It is unornamented that Tom enjoys dangling this sale over him because George is depending on it. Later in the novel when Nick and Daisy are visiting Gatsbys house, Gatsby calls his servant, Klipspringer, over to play them some music. When the servant walks in, Nick immediately notices that Gatsby had him change his attire to make him look more presentable for Daisy.Klip springer explains that he was sleeping but Gatsby interrupts to ask him if he plays the piano and then interrupts him again when Mr. Klipspringer tries to admit that he is out of practice. Gatsby commands that he not talk so much and just play (95).Gatsbys necessitate that he not talk so much connects back to the voiceless characteristic that Crooks in Of Mice and Men understands to pertain to himself. In this short conversation, Gatsby is attempting to help Klipspringer understand that this characteristic pertains to him as well by not allowing him to excite a single sentence.Much like Of Mice and Men, in The Great Gatsby women are disgrace to unimportant and frequently ignored roles. When Gatsby and Tom Buchanan have their altercation on the subject of Daisy, she tries to add in her own opinion with a megascopic effort, crying out that she wont stand this and begs to leave (133).However, both of these remarks are completely ignored with no response from anyone. Fitzgerald emp hasizes that Daisy is being ignored by having her cry out opinions with a visible effort and then undermentioned that with a response that makes it appear as if no one even hears her.Later in the novel, Wilson starts to go insane and treats Myrtle inhumanely. When his neighbor hears a obstreperously disturbance coming from Wilsons house, Wilson calmly explains to him that it is just his wife locked up there (137).Wilson is treating her more like an animal than a human being. In the next sequence, Myrtle is hit by an oncoming car that ends her tremendous vivification. It is very ironic that in the end, Myrtle dies when she was so full of life, yet Daisy will continue her life as an insignificant and overlooked wife.In the modulation illustrating her death, Fitzgerald forcefully uses pronouns to describe Myrtles mangled body to suggest that she is just other poor girl from the valley of ashes whose death will create undersize impact on the world.In Of Mice and Men, Curleys wife finds it remarkably effortless to threaten the farmers because of their low position on the farms hierarchy. However, it is just as easy for her to become the victim of dehumanization being that she is a woman. She is perceived less as a person and more as a metaphor for problems.Likewise, in The Great Gatsby, Tom Buchanan and Jay Gatsby express signs of disrespect for the working class, such as George Wilson and Mr. Klipspringer. Also, Myrtle and Daisy often find themselves continually treated inhumanely and seen as unimportant.John Steinbeck conveys the dehumanization of the lower class through manipulation, and the dehumanization of women by using Curleys wife as a literary device to prove a point. F. Scott Fitzgerald also uses manipulation as a tool to dehumanize the working class, and he dehumanizes the women by frequently characterizing them as voiceless.